Don Carlo


Giuseppe Verdi (1813 – 1901)

Opera in four acts;
Libretto by Joesph Méry and Camille Du Locle, based on the tragedy by Friedrich Schiller;
First performance of the Italian version by Achille de Lauzières on 10. January, 1884 at Milan;
Premiered at the Deutsche Oper Berlin on 23. October, 2011

In Italian language with German surtitles

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Cast

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Cast

Conductor Donald Runnicles
Stage Director, Stage Design, Lighting Marco Arturo Marelli
Costume Design Dagmar Niefind
Chorus Master William Spaulding
King Philip of Spain Hans-Peter König
Don Carlo Russell Thomas
Rodrigo, Marquis of Posa Dalibor Jenis
Count of Lerma / Herold Alvaro Zambrano
Inquisitor Albert Pesendorfer
A monk Tobias Kehrer
Elisabeth of Valois Anja Harteros
Princess of Eboli Violeta Urmana
The page Thibaut Alexandra Hutton
A voice Siobhan Stagg
Flemish deputies Ben Wager
Seth Carico
Michael Rapke
Andrew Harris
Tobias Kehrer
Stephen Barchi
Chorus Chor der Deutschen Oper Berlin
Orchestra Orchester der Deutschen Oper Berlin
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Information

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Information

It is common knowledge that Giuseppe Verdi, by nature a critical man, not only found much to disapprove of in the trends of his day but also subjected his own work to a continuous process of editing and revision.

None of his operas did he alter, abridge, rearrange or rewrite more intensely than his grimmest work of all – DON CARLO -, whose web of political, religious and social constraints is most reminiscent of the inescapability of destiny associated with Greek drama.

Verdi began writing the opera in 1865, and twenty years were to pass before the premiere in Milan of the four-act version that we are most familiar with today. The composer not only wrestled with the two languages of the piece, each with its distinctive form of expression. He was also at pains to achieve the best possible result by repeatedly cutting, reducing and rearranging. The opera, extensive sections of which are faithful to Schiller’s play, went through no less than seven versions.

In none of the opera’s characters does the light of reason sparkle. Prisoners of their situations, prisoners of their own reins of control and of their own making, above all prisoners of a deadly, ever-looming spiritual power greater even than secular hegemony… Verdi captures the essential helplessness of human beings entangled in this network of terror: at best, death brings release.

Kindly supported by Förderkreis der Deutschen Oper Berlin e. V.

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Accompanying Programme

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Accompanying Programme

Pre-performance lecture (in German): 45 minutes prior to each performance