Carmen


Georges Bizet (1838 – 1875)

Oper in vier Akten; Libretto von Henri Meilhac und Ludovic Halévy nach der Novelle von Prosper Mérimée; Uraufführung am 3. März 1875 in Paris; Premiere an der Deutschen Oper Berlin am 11. Mai 1979; Überarbeitete Wiederaufnahme am 08. März 2009

In French with German and English surtitles

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Cast

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Cast

Giuseppe Finzi
Søren Schuhmacher
Peter Beauvais
Pier Luigi Samaritani
Norbert Bellen
William Spaulding
Christian Lindhorst
Clémentine Margaine
Béatrice Uria-Monzon (10.04.2014 | 13.04.2014)
Kate Aldrich (01.05.2014 | 04.05.2014)
Hulkar Sabirova
Siobhan Stagg (03.01.2014 | 10.04.2014 | 13.04.2014)
Elizabeth Magnor (01.05.2014 | 04.05.2014)
Christina Sidak
Katarina Bradic (01.05.2014 | 04.05.2014)
Martina Welschenbach
Elena Tsallagova (08.12.2013 | 10.04.2014 | 13.04.2014 | 01.05.2014 | 04.05.2014)
Carlo Ventre
Roberto Alagna (10.04.2014 | 13.04.2014)
Gaston Rivero (01.05.2014 | 04.05.2014)
Stephen Barchi
John Chest (10.04.2014 | 13.04.2014)
Ben Wager
Seth Carico (10.04.2014 | 13.04.2014)
Bastiaan Everink
Gideon Poppe
Paul Kaufmann (01.05.2014 | 04.05.2014)
Jörg Schörner
Marek Picz
Hong-Kyun Oh (04.05.2014)
Aram Youn
Sungjin Kown (14.12.2013 | 10.04.2014 | 01.05.2014)
Kinderchor der Deutschen Oper Berlin
Chor der Deutschen Oper Berlin
Orchester der Deutschen Oper Berlin
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Sensuous, offensive and devoid of all civic sense of morality: CARMEN, Georges Bizet’s story of a fatal love triangle, scandalised the audience at its premiere at the Paris Opéra Comique in 1875 and spent years playing to small, fringe audiences as a result - unimaginable today, the work being the household name among operas. The tale of Carmen and Don José, at once banal and existential, ends with an inevitably tragic murder. Carmen’s absolute need for freedom and her insistence on relationships based on complete independence and equality make her irresistible to Don José, who nonetheless proves unable to tolerate her urge to defend her liberty. A victim of his own desire, he is finally driven to destroy his lover and himself with her.

To convey this tragic material Bizet succeeded in using the medium of an opéra comique that presents us with all the emotions and traits of the human condition – levity, drabness, silliness and stoniness, seduction and playfulness, cruelty and destiny. Of all the familiar features of the work, perhaps the best known is the original Cuban »habanera« used by the tobacco worker Carmen to attract the attention of Don José. The music of the opera, filled with catchy melodies, is dominated by dance routines and Spanish rhythms. The savage, romantic country beyond the Pyrenees enthralled Georges Bizet among many others, and »Carmen« is today considered the central work expressing French yearnings for their unknown, idealised neighbour to the south. In 19th-century Paris this operatic depiction of fated lovers, with its erotic overtones and its tension between absolute devotion and undiluted liberty, could only be performed where bourgeois boundaries, both spatial and ideological, had been rejected.

Der Kinderchor der Deutschen Oper Berlin wird unterstützt von der Berliner Volksbank und der Berliner Morgenpost.

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Accompanying Programme

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Accompanying Programme

Einführung im Rang-Foyer rechts: 45 Minuten vor Vorstellungsbeginn