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This is your personal “My Opera” area. This is where you can update your private details, profile settings and password and/or log out.
This is your personal “My Opera” area. This is where you can update your private details, profile settings and password and/or log out.
Mouth and nose masks are mandatory throughout, also during the performance. If you have a medical certificate exempting you from the obligation to wear a mask, we ask you to book via our telephone ticket service. We kindly ask for your understanding.
The second day
A scenic festival in three days and one eve
First performed on 16th August, 1876 in Bayreuth
Premiered at the Deutsche Oper Berlin on 24th January, 2021
In German with German and English surtitles
5 hrs 45 mins | 2 intervals
Conductor
Director, Set design
Co-Set designer
Costume design
Video
Light design
Siegfried
Mime
Wanderer
Alberich
Fafner
Erda
Brünnhilde
Orchestra
The two middle sections of the tetralogy set out two ways of experiencing life. On the one hand we are presented in THE VALKYRIE with Brünnhilde, whose maturation process takes her from her discovery of sorrow and empathy to a conscious reflection on what it is to be human. By contrast, Siegfried’s path is mapped out solely as a function of his sensory experience. Where initially the young man’s self-image stems only from his exploration of his own boundless strength, other senses and sensibilities soon come to bear, along with an awakening sexuality. SIEGFRIED presents an encounter not only between man and woman but between two principles – Siegfried’s innate, unquestioned vigour on one side and Brünnhilde’s wisdom born of observation on the other. And as these two diametrical forces unite in a love clinch, the end of the opera seems to be presenting the basis for a renewal of human society.
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