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  • © 2017, Ruth Tromboukis

  • © 2017, Ruth Tromboukis

  • © 2017, Ruth Tromboukis

  • © 2017, Ruth Tromboukis

  • © 2017, Thomas Jauk

    Samuel Youn as Dutchman

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta, Chorus of the Deutsche Oper Berlin

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta, Thomas Blondelle as Erik

  • © 2017, Thomas Jauk

    Matthew Newlin as Helmsman

  • © 2017, Thomas Jauk

    Matthew Newlin as Helmsman, Tobias Kehrer as Daland

  • © 2017, Thomas Jauk

    Tobias Kehrer as Daland, Ingela Brimberg as Senta

  • © 2017, Thomas Jauk

    Samuel Youn as Dutchman

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta, Thomas Blondelle as Erik

  • © 2017, Thomas Jauk

    Samuel Youn as Dutchman, Ingela Brimberg as Senta

  • © 2017, Thomas Jauk

    Chorus of the Deutsche Oper Berlin

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta, Thomas Blondelle as Erik

  • © 2017, Thomas Jauk

    Thomas Blondelle as Erik

  • © 2017, Thomas Jauk

    Thomas Blondelle as Erik

  • © 2017, Thomas Jauk

    Tobias Kehrer as Daland, Gideon Poppe as Helmsman

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta; Chorus of the Deutsche Oper Berlin

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta

  • © 2017, Thomas Jauk

    Ingela Brimberg as Senta, Chorus of the Deutsche Oper Berlin

  • © 2017, Thomas Jauk

    Chorus of the Deutsche Oper Berlin

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The Flying Dutchman

Richard Wagner (1813 – 1883)
Sun 07.05.2017 / 18:00 h / E-Prices: € 170,– / 124,– / 88,– / 52,– / tickets / Premiere

Romantic opera in three acts
Music and text by Richard Wagner
World premiere: 2nd January 1843 in Dresden
Premiered at the Deutsche Oper Berlin: 7th May 2017

In German language with German and English surtitles

ca 2 hrs 15 mins / no interval

Pre-performance lecture (in German): 45 minutes prior to each performance

The Concert Programme

The Dutchman is a cursed man, a driven man, an outsider. Richard Wagner encountered this stateless figure in the pages of Heinrich Heine, who suffused the romantic material with his characteristic irony. Wagner was uninterested in Heine’s broader storyline, which downplayed the Dutchman material. Wagner immersed himself in the story of the mysterious mariner, drawing for his first opera on this tale of a man searching for a woman who can offer him redemption. Roving restlessly in the borderlands of Life and Death, the Dutchman meets Senta, a woman who, in her own way, appears alien and without a place to call home and is yearning for a male character, a figment of her own fantasy – the Dutchman. The world is one of dream images, obsessions, projections and the fantastic, a world that has long since lost touch with reality. The character most affected by all this is the huntsman, Erik, arguably the only person in the story who is genuinely in love, but he is unable to reach the other characters, who are lost in their dreams. Written in 1841 and first performed in Dresden in 1843, Wagner’s opera builds on the tradition of German romantic operas as espoused by Weber and Marschner and is a departure from the grand opéra style of his previous opera, RIENZI. Yet despite his mainstream approach, the work is an indication of Wagner’s development as a musical dramatist – and the first to place Wagner’s prime preoccupation, redemption through love in death, at the centre of proceedings.

The director and choreographer Christian Spuck, who received good reviews in 2014 for his production at the Deutsche Oper Berlin of Hector Berlioz’s DAMNATION OF FAUST, returns to the Bismarckstraße at the helm of his second project and teams up again with General Music Director Donald Runnicles.

Presented by taz.die tageszeitung, kulturradio vom rbb and Wall AG