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  • © 2008, Bettina Stöß / stage picture

    Simon Pauly and Anna Fleischer as Papageno and Papagena

  • © 2017, Bettina Stöß

  • © 2017, Bettina Stöß

    Philipp Jekal as Papageno

  • © 2017, Bettina Stöß

    Philipp Jekal as Papageno, Attilio Glaser as Tamino, Kim-Lillian Strebel, Annika Schlicht and Ronnita Miller as Dames

  • © 2017, Bettina Stöß

    Attilio Glaser as Tamino, Seth Carico as Sprecher

  • © 2017, Bettina Stöß

    Kathryn Lewek as Queen

  • © 2017, Bettina Stöß

  • © 2017, Bettina Stöß

    Elena Tsallagova as Pamina, Tobias Kehrer as Sarastro, Attilio Glaser as Tamino

  • © 2017, Bettina Stöß

    Philipp Jekal as Papageno, Alexandra Hutton as Papagena

  • © 2017, Bettina Stöß

    Kathryn Lewek as Queen, Elena Tsallagova as Pamina

  • © 2017, Bettina Stöß

    Attilio Glaser as Tamino, Elena Tsallagova as Pamina

  • © 2017, Bettina Stöß

  • © 2017, Bettina Stöß

  • © 2017, Bettina Stöß

    Elena Tsallagova as Pamina

  • © 2017, Bettina Stöß

    Elena Tsallagova as Pamina, Attilio Glaser as Tamino

  • © 2017, Bettina Stöß

    Alexandra Hutton as Papagena

  • © 2017, Bettina Stöß

    Tobias Kehrer as Sarastro, Elena Tsallagova as Pamina, Attilio Glaser as Tamino

  • © 2017, Bettina Stöß

    Philipp Jekal as Papageno, Alexandra Hutton as Papagena



Wolfgang Amadeus Mozart (1756 – 1791)
Wed 27.12.2017 / 19:30 h / C-Prices: € 95,– / 76,– / 53,– / 29,– / tickets / Family Performance

Ladies and gentlemen, Water damage to the stage of the Deutsche Oper Berlin has affected both the lighting technology and the communication and data processing technology. Therefore the performance of "The Magic Flute" on December 27 has to be cancelled. Unfortunately, at this point we have to decide at short notice whether - and in which way - further performances will take place. Updates will be posted daily on our website www.deutscheoperberlin.de. For urgent inquiries, you can reach the ticket service of the Deutsche Oper Berlin on December 27 after 9am under the phone number +49 (0)30-34384 34.

The Deutsche Oper Berlin regrets the cancelation of these performances. We apologize for any inconvenience caused by the cancellation. All tickets will be reimbursed. Please use this form and send it, together with your tickets, to: Deutsche Oper Berlin - Ticketservice, Richard-Wagner-Straße 10, 10585 Berlin. You can also scan your tickets and send the scan and the form via email to info@deutscheoperberlin.de. Customers who bought their tickets online at eventim.de or via a ticket reseller are asked to contact eventim.de or the ticket reseller. If you have any question, please don't hesitate to contact us via telephone +49 (0)30-34384 343.

Opera in two acts
Libretto by Emanuel Schikaneder
First performed on 30. September, 1791 in Vienna
Premiered at the Deutsche Oper Berlin on 24. September, 1991

In German with German and English surtitles

3 hrs / 1 interval

Pre-performance lecture (in German): 45 minutes prior to each performance



Ido Arad


Günter Krämer

Stage-design, Costume-design

Andreas Reinhardt

Chorus Master

Thomas Richter


Ante Jerkunica


Noel Bouley

1st priest

Stephen Bronk

2nd priest

Jörg Schörner

Queen of the Night

Rocío Pérez

2nd lady

Annika Schlicht

3rd lady

Ronnita Miller


Nicole Haslett


Philipp Jekal


Burkhard Ulrich

1st armoured man

Robert Watson

2nd armoured man

Andrew Harris

The Concert Programme

Prince Tamino is menaced by a wild dragon. At the last moment he is saved by three mysterious women, who have been sent by the Queen of the Night. When the bird catcher Papageno appears and boasts of his heroic deed as dragon slayer, the three ladies punish him. They present the Prince with a picture of Pamina, the Queen's daughter, who has been imprisoned by Sarastro, Regent of the Sun Temple. Tamino falls in love with her. The Queen appears in person and orders him to join forces with Papageno to save Pamina. They give Tamino a magic flute for protection and the reluctant Pagageno receives a glockenspiel of magical chimes. Led by three boys, the two heroes begin their journey to Sarastro's castle. Tamino is twice prevented from entering by the gatekeepers. At the third attempt they inform him that Sarastro is nothing like the cruel tyrant that the Queen of the Night has made him out to be. Papageno finds Pamina and tries to escape with her. He is able to stall her guard Monostatos with the help of the chimes, but the appearance of Sarastro puts an end to all attempts to flee. Papageno, Pamina and Tamino are compelled to stay in Sarastro's temple and submit to a series of life-threatening trials. First of all they have to learn to be silent, which is especially difficult for Papageno. When an old woman passes, Papageno cannot restrain himself and asks her what her name is. She disappears in a clap of thunder. Papageno consoles himself with the food that is so miraculously served to them. Tamino keeps silent, playing on his flute. Pamina appears, in deep despair that Tamino is no longer talking to her. Her mother has already entreated her in vain to murder Sarastro. When she decides to end her life the three boys seize her dagger and lead her to Tamino. Protected by the flute, both of them pass the ordeals of fire and water, and have now successfully completed all the trials. Meanwhile Papageno, in his great loneliness, conjures up the old woman again and promises to marry her, »if there's nothing better to be had«. All of a sudden she is transformed into a beautiful young girl, but their time has not yet come and she is taken from him again. In his despair he decides to end his life, but the three boys remind him of the magic chimes. Their tinkling brings back Papagena, and the reunion sets them both dreaming of a happy future together. The other pair is happy, too: Tamino and Pamina are inducted into the Society of the Enlightened, which celebrates the ideals of Nature, Wisdom and Reason. Only for the Queen of the Night does the story take a turn for the worse: when she attempts to enter the temple along with her entourage she is devoured by the spirits of darkness.

Mozart's MAGIC FLUTE is the most frequently performed opera in the German-speaking world. This variegated masterpiece straddling Viennese popular theatre, fairytale, myth and the mystery of freemasonry is a puzzle even today: did Mozart and his librettist Schikaneder switch horses in mid-stream, changing allegiance from the Queen of the Night to Sarastro? Should one not distrust the holier-than-thou world of the priests and an ideology that divides the world into good and evil? Are there not traces, even, of discrepancies between text and music, as many a Mozart expert has suggested? Whatever the facts of the matter, it is the music that smooths the contradictions of the plot, elevating them to a worldly realism. The music does not denounce the characters but rather confers on the conflicts an existential dimension. Without this dimension the opera would come over as an irrational fairytale.

Supported by Förderkreis der Deutschen Oper Berlin e.V.